So it is in the series, which becomes a bit like Quentin Tarantino’s “Once Upon a Time … in Hollywood,” except that the wrong to be corrected is not the Manson murders but the generational killing of careers and silencing of voices. The show’s spinoff, “9-1-1: Lone Star,” now starring Gina Torres and a tank, returns right after. Watch trailers & learn more. The production takes on a forced sunny tone, as if the whole series had landed in Oz and the screen turned from black and white to color. Is it possible for a fantasy to be too absurd? In Netflix’s ‘Hollywood,’ One Movie Fixes Racism. Halle Berry’s best actress win for “Monster’s Ball” didn’t suddenly open doors for other black women in Hollywood. Though the show took place on Cape Cod, it … The often brilliant TV creator, and one of the hardest working men in the business, has produced two series under his Netflix deal, the frustrating “The Politician,” and this week’s seven-part limited series that reimagines the Golden Age of Hollywood in a way that … Hollywood review – Ryan Murphy’s Netflix epic is a hollow ode to showbiz. But as far as dreams go, it’s also progress. Apr 30, 2020 - Ryan Murphy’s latest for Netflix starts an intriguing journey into an alternative 1940s Tinseltown, then swerves into schmaltz. Hollywood review: This big shiny mess shows Netflix has more money than time. And here’s our email: letters@nytimes.com. Starring a stunning ensemble, led by Shefali Shah, Rasika Dugal and Rajesh Tailang. A review of Dogs, the six-part Netflix docuseries about the relationship between humans and their furry best friends. The Netflix miniseries Hollywood is … At the Golden Tip service station, somewhere in Los Angeles in the late 1940s, they pump more than gas. 2 Episode 1: Did Golden Tip Gas really exist? Top News Videos for once upon a time in hollywood review. It's like inertia doesn't exist for Hollywood fights anymore. At the same time, it echoes what hasn’t changed, especially regarding sexual abuse. Netflix and third parties use cookies and similar technologies on this website to collect information about your browsing activities which we use to analyse your use of the website, to personalize our services and to customise our online advertisements. (His 2019 Netflix … Ryan Murphy’s revisionist series is laughably self-satisfied and willfully naïve about complex real-world problems. Here is a fantasy set in the past where women, people of color and queer characters ultimately win, too. It’s a noble thought and an audacious premise. This lavish counter-history looked set to dive deep into the murk of … The bid to make Archie’s movie starts as a glitzy, funny, gimlet-eyed dissection of bigotry and power. Henry preys on his own clients, including Rock, and in a pointed bit of casting, Mira Sorvino, who spoke out against Harvey Weinstein, plays a once-starlet trapped in a sexual arrangement with a powerful producer. That’s one way to describe it. I also kind of enjoyed it. Both counterfactuals are played out in “Hollywood,” but they rest oddly alongside one another — one is playfully subversive; the other a retread of simplistic progressive logic about how to combat systemic oppression. /r/all. R ain falls in the Almería desert. Chadwick Boseman's Ma Rainey's Black Bottom review. A part of me can’t ignore what it feels like to see this Technicolor spectacle populated by these faces and experiences, to see the 1940s depicted through a 2020 lens — browner, less sexually repressed, more women calling the shots. Within just a year, it kick-starts a wave of major films starring women and people of color and “racial protests across the country simply melt away,” according to a fictional newsreel. But as they say, you live and you learn — and what I learned was that in reality, there was little glamour in being a black girl anytime from the 1930s to the 1960s. Everybody wants to go to Dreamland, right? This lavish counter-history looked set to dive deep into the murk of Tinseltown. The happy resolutions conjured up by message films from the “Hollywood” era almost always benefited straight white people and no one else. More information Review: ‘Hollywood’ Gives Movie History a Sudsy Rewrite - The New York Times The pleasures of “Hollywood” are in its eye for historical details and its lusty, swellegant period cosplay. Instead, it comes from an ambitious, if faulty, series that dares to imagine an assortment of characters conspiring to make a movie with a half-Filipino man, a gay black man and black and Asian women in 1940s Hollywood. There is something to be said for the show’s fluffy confection of ahistoricism when it’s not indulging in myths of racial reconciliation and movies-as-changemakers. Netflix headquarters in Los Gatos, Calif. (Robert Galbraith/Reuters) Hollywood rails against fracking, but production companies are happy to benefit from subsidies generated by oil producers. That’s just the way things were. Hollywood review: This big shiny mess shows Netflix has more money than time. (Lana Turner’s discovery story it is not — though Schwab’s drugstore is just a short hop away.). One character who maintains some measure of complexity is Parsons’s jaded, hungry Henry, who gives a meta critique after screening a cut of the movie-within-a-show: “There is something about the ending that I just don’t buy.” It’s a knowing, self-aware line, but in the end “Hollywood” doesn’t heed that voice. "Hollywood" has its heart in the right place, and if you have a love for movies' Golden Age, there's a whole lot of meticulously shot nostalgia to savor. Expand. Our diverse collection delivers the best that Tinseltown has to offer. Netflix supports the Digital Advertising Alliance Principles. 1 star. The Times was there as Ryan Murphy’s new Netflix series, “Hollywood,” filmed its rousing finale, set at the 1948 Oscars ceremony. The movie musical, shot up with Hollywood steroids under Murphy’s direction, strains to replicate the show’s opening exuberance. A review of the six-part Netflix miniseries The Spy, about Mossad agent Eli Cohen, played by Sacha Baron Cohen, and also starring Hadar Ratzon Rotem, Yael Eitan, and Noah Emmerich. Mank movie review: David Fincher’s new Netflix film -- a movie about movies -- is satirical but sweet, weary but vengeful. Based on Coben’s 2007 novel, it spans a quarter-century, bouncing back and forth from 1994 to 2019. Hollywood’s Hollywood, circa 1947, is a place where racial prejudice and homophobia run rampant and where fresh-faced young people arrive full … Ryan Murphy’s latest for Netflix starts an intriguing journey into an alternative 1940s Tinseltown, then swerves into schmaltz. Review: ‘Hollywood’ Gives Movie History a Sudsy Rewrite. A studio executive asks, why make the audience fall in love with an actress only to have her lose her dream and end it all? Intelligencer This is “Hollywood” at its most absorbing, nostalgic yet caustic. the Extra -Terrestrial’ (1982) Seven years after “Jaws,” Steven Spielberg conquered the … Posted by 1 year ago. The new movie “Hillbilly Elegy” is a series of rotten choices — occasionally by the characters, but mostly by Hollywood. Enter none other than Eleanor Roosevelt, who delivers a speech about “what it might mean to a dirt poor little black girl living in a shanty in some cotton town” to see someone like Camille onscreen. https://www.digitaltrends.com/movies/best-movies-on-netflix Ms. Harris is an Op-Ed staff editor and writer. A pattern develops throughout the series: Someone white or white-passing makes an impassioned plea for a more powerful white person to take a chance on hiring a person of color for a role. It appears to be giving a one-figured salute to the sky. 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