Room: Atul Dodiya Piet Mondrian Composition B (No.II) with Red 1935. 22-23 January 2019, Winning bid y los otros. Mythology is a part of popular art. But at the end you are involved in a process. Snob (de)value. Atul Dodiya, artist Anju and Atul Dodiya have been married for 33 years “Anju, my wife and artist, and I are big fans of Hindi film songs from the ’50s and ’60s. E.T. And his daughter Biraaj: being a dedicated father to her has played an I live in Ghatkopar, (a suburb in Bombay) my figures are Indian in the sense that they would be dark skinned and they portray the life in India, a life that includes the poverty, the concerns and the reality. So my work is thematically, sociologically, artistically rough. of How Indian is Indian art, in terms of influences, style and evolution? Mahalakshmi, a symbol of prosperity. (Inclusive of buyer's premium), View Dimensions I also painted on shutters, like I did in a modern, city painting; when you opened the shutter you could see the painting. I also painted on shutters, like I did in a modern, city painting; when you opened the shutter you could see the painting. And I like my work to be aesthetically well rendered. 2003 'body. And in that sense it is very Indian too. Contemporary Indian art is only 50 odd years old. I do not aim to please the viewer. Source-artisticlyyours 31. 2003 ‘SubTerrain’, Artworks in the cityfold, Haus der Kulturen der Welt, Berlin. Learn how and when to remove this template message, "Art work dedicated to Dravid fetches Rs 57.6 lakh - Economic Times", "Atul Dodiya Profile and Collection of Art Works", Edge of Desire: Recent Art in India (exhibition 2007), National Gallery of Modern Art, https://en.wikipedia.org/w/index.php?title=Atul_Dodiya&oldid=983788874, Sir Jamsetjee Jeejebhoy School of Art alumni, All Wikipedia articles written in Indian English, Articles lacking in-text citations from September 2013, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, 2007 Vadehra Art Gallery, New Delhi Museum Gallery, Mumbai Chemould Prescott, Mumbai, 2006 Sumukha Gallery, Bangalore Singapore; Tyler Print Institute, Singapore; Bodhi Art, New Delhi, Mumbai, New York, 2005 Faculty of Fine Arts, Vadodara; Bose Pacia, New York, 2002 Walsh Gallery, Chicago; Sakshi Gallery, Bombay; Reina Sofia Museum, Madrid, 2001 The Fine Art Resource, Berlin; The Japan Foundation Asia Center, Tokyo; Gallery Chemould, Bombay, 1999 Vadehra Art Gallery, New Delhi; Gallery Chemould, Bombay, 1999 - Civitella Ranieri Foundation Fellowship, Italy, This page was last edited on 16 October 2020, at 07:31. Paintings of Surendran Nair and Atul Dodiya will be the highlights. They are arranged in glass cabinets that resemble museum showcases. You also feel that out of nothing I created this, and feel proud to have done so. (Art in Contemporary India)’, Museo Temporario / Culturgest, Lisbon. The daughter’s bedroom was more animated with the. Atul Dodiya is India’s most distinguished and admired artist. Artists attend Shalini, Sanjay’s lunch party Photogallery. So my work is thematically, sociologically, artistically rough. He furthered his academic training at the École des Beaux-Arts in Paris from 1991 to 1992 subsequent to a scholarship awarded by the French Government. 10 November 2020, Winning bid Regarded as one of the leading artists of his generation, Dodiya has become a widely recognized figurehead in contemporary art influencing many of the country's burgeoning younger artists. They are arranged in glass cabinets that resemble museum showcases but also recall personal displays of souvenirs and sentimental items that are particularly common in Indian homes. You are known as someone who likes to experiment with your medium a lot…Could you tell us more about it? Yes, I often like to do that. Atul and wife Anju Dodiya’s daughter Biraaj was also here for her dad’s birthday. Berlin, 2003 'The Tree from the Seed', Contemporary Art from India, Henie Onstad Center, Oslo, 2002 ‘Secular Practice: Recent Art from India’, Contemporary Art Gallery (CAG) Vancouver, 2002 ‘Capital and Karma: Recent Positions in Indian Art’, Kunsthalle, Vienna, 2002 ‘New Indian Art: Home - Street - Shrine - Bazaar- Museum’, Manchester Art Gallery, Manchester, 2001 'The Mega Wave' Yokohama Triennale. View paintings online at The Saatchi Gallery - London contemporary art gallery. I react to many themes. atul-dodiya.com is published by Discover Artiana. 2004 ‘Masala’, Diversity and Democracy in South Asian Art, William Benton Museum of Art, University of Connecticut Storrs. 72 x 48 in (183 x 122 cm), Winning bid In attendance were Atul and Anju Dodiya, Saryu Doshi, Pheroza Godrej, Sangita Jindal, Akbar and Bhanu Padamsee, Sudhir and Shanta Patwardhan, and Dadiba and Khorshed Pundole. works, Showing (Inclusive of buyer's premium), No Reserve Auction of Modern and Contemporary Art Mumbai. His artwork engages with both Indian political and art history in a way which will last in the memory of those who view his work. Artworks by Atul Dodiya at Saffronart.com. 2004 ‘Interlude in Sri Lanka’, Guild Art Gallery. Photo Caption: A huge Hitchcock fan, Atul Dodiya ended up watching Blackmail (1929) several times | On view at Chemould Prescott Road, Mumbai Atul Dodiya’s Inspiration for Seven Minutes of Blackmail. Ruminations on Time, Memory and Site', Kiran Nadar Museum of Art (KNMA), New Delhi, 2014 'Drawing 2014: 7 Decades of Indian Drawing', The Exhibition Hall, IGNCA, New Delhi, 2014 'UNE HISTORIE (art archi design / des annees 80 anos jours)/ A HISTORY (art architecture design, from the 80s to now), Musee National d'Art, Moderne Centre Pompidou, Paris, 2013 'Aesthetic Bind: Cabinet Closet Wunderkammer', on the coccassion of 50 Years of Contemporary Art at Chemould Prescott Road, Mumbai, 2013 'The Sahmat Collective: Art and Activism in India since 1989', Smart Museum of Art at University of Chicago, Chicago, 2013 Donation Floerence et Daniel Guerlain, Galerie Du Musee Et Galerie D'Art Graphique, Level 4, Centre Pompidou, Paris, 2013 ' The Drawing Wall', Lalit Kala Akademi and Vadehra Art Gallery, New Delhi, 2013 'Midnight to the Boom: painting in India after Independence, from the Peabody Essex Museum's Herwitz Colelction', Salem, 2012-13 Kochi-Muziris Biennale 2012, Kochi, 2012-13 7th Asia Pacific Triennial of Contemporary Art (APT7), Gallery of Modern Art, Queensland Art Gallery, Brisbane, 2012 'Fourteen Stations', part of Project CINEMA CITY: Research Art & Documentary Practices presented by Ministry of Culture, Government of India and National Gallery of Modern Art at National Gallery of Modern Art (NGMA), Mumbai, 2012 'Art for Humanity', Coomaraswamy Hall, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai, 2012 ‘To Let the World In: Narrative and Beyond in Contemporary Indian Art’, as part of Art Chennai, Edition II at Lalit Kala Regional Centre, Chennai, 2012 'Crossings: Time Unfolded, Part 2', Kiran Nadar Museum of Art (KNMA), New Delhi, 2012 ' How Am I ? 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